Philharmonic Bagpipes

Contents
Eightsome Reels– at every ceilidh
dance, this is the showpiece test of stamina for pipers.
Piano Di Sorrento- memories of a sunset
in the village of the same name
Suite Ecossaise – an
early experiment in the concertante style for highland bagpipes using
traditional well-known tunes as themes. The middle movement features the
orchestra playing more like a bagpipe than strings.
1st movement –
Andante/Allegro – march/jig
2nd movement – Allegretto
– strathspey
3rd movement – Allegro –
jigs
*Wawel – the castle in Krakow
The Gordon’s Salute– no ‘classical’
pipe album would be complete without a pibroch, the highest form of art
music native to the piping world. Close your eyes, abandon time and
experience each sound as it happens.
Atholl Highlanders, Cock O’ The North
– two popular marches here played as jigs
*Borderpipe concerto –
the first ever borderpipe concerto. The outer movements use very well known
fiddle themes whilst the slow movement is entirely new. After the introduction,
we have a dance with accompaniment. The adagio seeks to integrate pipes and
strings in painting a picture of an 18th century character. The last
movement is a sonata form jig.
1st Movement – March/Allegro
2nd Movement - adagio
3rd Movement - allegretto
The Shepherd’s Crook, Highland Harry-
two traditional strathspeys
Clumsy Fingers – a popular pastiche
arranged for strings and highland pipes, with a touch of Latin colour
*The Gentle Shepherd – originally for
smallpipes and harp, this started life as incidental music to the play of
the same name by Allan Ramsay
McGuire’s Jig – an Irish jig
arranged for smallpipes and strings
O’er The Bows To Ballindalloch,
Because He Was A Bonnie Lad – simple and popular strathspeys
Glasgow Police Pipers – a common
pipers’ jig arranged for highland pipes and strings
Bengullion - a traditional march, of the type
commonly used to welcome guests.
*The Jolly Duet – a hornpipe and jig
composed in 1992 and newly arranged for smallpipes with orchestra.
The Rock And The Wee Pickle Tow – the town tune of Linlithgow
Duncan Howie’s - the central hornpipe* was originally for written as
part of a challenge to show the entire traditional gamut of pipe music in one
concert. The outer frame is a traditional tune popular among pipers.
All tracks arranged by
Lindsay Davidson using traditional material. Those marked * composed by Lindsay
Davidson.
The bagpipes used here
are Scottish smallpipes, borderpipes and Highland bagpipes.
To order Philharmonic Bagpipes please send an email to
or to lindsaydavidson(at)lindsaydavidson(dot)co(dot)uk
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